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Poetry --- Thematology

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Poetry --- Outer space

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Wallace Stevens's musicality is so profound that scholars have only begun to grasp his ties to the art of music or the music of his own poetry. In this study, two long-time specialists present a polyphonic composition in which they pursue various interlocking perspectives. Their case studies demonstrate how music as a temporal art form may affect a poetic of ephemerality, sensuous experience, and affective intensification. Such a poetic, they argue, invites flexible interpretations that respond to poetry as an art of textual performance. How did Stevens enact the relation between music and memory? How can we hear his verse as a form of melody-making? What was specific to his ways of recording birdsong? Have we been missing the latent music of Richard Strauss, Gustav Mahler, and Claude Debussy in particular poems? What were the musical poetics he shared with Igor Stravinsky? And how is our experience of the late poetry transformed when we listen to a musical setting by Ned Rorem? The Poetic Music of Wallace Stevens will appeal to experts in the poet's work, students of Modernism in the arts, and a wider audience fascinated by the dynamics of exchange between music and poetry. Bart Eeckhout is Professor of English and American Literature at the University of Antwerp, Belgium, and has been Editor of The Wallace Stevens Journal since 2011. His books include Wallace Stevens and the Limits of Reading and Writing (2002), five co-edited volumes on Stevens, and twelve co-edited thematic issues of The Wallace Stevens Journal. Most recently he co-edited The New Wallace Stevens Studies (2021). Eeckhout is a Member of the Royal Flemish Academy of Belgium for Science and the Arts. Lisa Goldfarb is Professor at New York University's Gallatin School, USA, President of The Wallace Stevens Society, and Associate Editor of The Wallace Stevens Journal. She is the author of The Figure Concealed: Wallace Stevens, Music, and Valéryan Echoes (2011) and Unexpected Affinities: Modern American Poetry and Symbolist Poetics (2018), as well as co-editor of several edited collections on Stevens and special issues of The Wallace Stevens Journal. She has recently contributed a chapter, "Music of the Sea: Elizabeth Bishop and Symbolist Poetics," to Elizabeth Bishop and the Music of Literature (Palgrave 2019).

Poetry --- Literature --- literatuur --- poëzie --- anno 1900-1999

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"Poetics of Ekphrasis is a deeply satisfying read and a remarkable achievement in cognitive poetics, multimodal studies, and literary scholarship at large. By developing and applying a holistic, eclectic, and rigorous framework to a wealth of canonical and less known poems, Panagiotidou's work invites the reader to embark on a discovery journey that unearths the rich ramifications of the alliance between the verbal and the visual." - Dr. Davide Castiglione, Associate Professor of Stylistics at Vilnius University, Lithuania This book provides a stylistic and cognitive poetic account of ekphrastic poetry (poetry whose subject matter is predominantly artworks and images), examining the linguistic processes through which works of art can become literary objects. The author sheds light on the workings of ekphrasis at a textual level, while also considering the cognitive and psychological effects of reading ekphrastic poems, developing cognitive and stylistic analytical frameworks grounded on the four principles that govern ekphrasis: representation, narrativization, transposition, and collaboration. This book will be of interest to academics and practitioners in various fields, including literary critics, art critics, rhetoricians, poets, visual artists, and stylisticians. Maria-Eirini Panagiotidou is an Associate Professor of Linguistics at West Chester University of Pennsylvania, USA. Her research interests and publications lie in the areas of literary linguistics, cognitive poetics, and iconicity. Her current research focuses on cognitive approaches to ekphrastic poetry.

Aesthetics --- Art --- Stilistics --- Psycholinguistics --- Linguistics --- Poetry --- esthetica --- kunst --- linguïstiek --- poëzie --- psycholinguïstiek --- Poetry.

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“This is a pioneering study of Merwin which will become essential reading for anyone in the field. It works as an introductory text to those who are fairly unfamiliar with Merwin yet also has much to say to those who are informed about his work and overall career. It is notably strong on Merwin’s affinities with other poets and the essays are well-organised, into sections on affinities/influence, the significance of Zen and eco-poetics, the craft of poetry, and apocalypticism.” —Stephen Matterson, Professor of English, Trinity College Dublin, Ireland "This new book of exciting essays is an important intervention in Merwin scholarship, contributing to a reflowering of interest in Merwin's poetry." —Steven Gould Axelrod, University of California, Riverside, USA This edited collection explores the work of highly awarded and twice American Poet Laureate W. S. Merwin. Spanning Merwin’s early career, his mid-career success, his Hawaiian epic, his eco-poetry, his lesser-known later poetry and the influence of Buddhism on his work, the volume offers new perspectives on Merwin as a major poet. Exploring his works across the twentieth and twenty-first century, this collection presents Merwin as a necessary and contemporary poet. It emphasizes contemporary readings of Merwin as an environmental advocate, showing how his poetry seeks to help each reader re-establish an intimate relationship with the natural world. It also highlights how Merwin’s work presents our place in history as a pivotal moment of transition into a new era of international cooperation. This volume both celebrates his life and writing and takes scholarship on his work forward into the new century. Cheri Colby Langdell, a member of the Emily Dickinson International Society, the Modernist Studies Association, and the Pacific Association of Ancient and Modern Languages, has published in the Emily Dickinson Journal and is the author of W.S. Merwin (1981) and Adrienne Rich: The Moment of Change (2004), as well as other books, reviews and articles. She has taught at the University of California, Riverside, and the University of Southern California, and in the UK at the University of Nottingham, the University of Leicester, Birkbeck University of London and Queen Mary University of London. She now teaches at East Los Angeles College and Los Angeles Valley College, USA.

Poetry --- American literature --- Literature --- literatuur --- poëzie --- anno 1900-1999 --- America --- Poetry. --- Ecocriticism. --- Literature, Modern --- North American Literature. --- Poetry and Poetics. --- Twentieth-Century Literature. --- Literatures. --- 20th century.